A CRYING STATUE [RADIO FRIENDLY]    Time: 4m21s. Tempo: 108 BPM I died today and no one even noticed / I was almost sure you saw / But no reaction / Stop being so mechanical she said / Without ever noticing the program in her head / I took the blame / Accepted what she said / Wouldn't want to stir things up / Just because i'm dead / I tried last night though no one thought I ought to / I was almost sure it could have worked / But fate thought otherwise / Stop being so mechanical she said / Without ever noticing the program in her head / I took the blame / Accepted what she said / Wouldn't want to stir things up / Just because i'm dead / It's just a statue / From stone it is made / Raised to scare all evil away / Evil don't care / They laugh at it's face / Just like me it's a dying race Words & music by Mårten Kellerman. Produced, recorded and mixed by Fred Caelou and Statemachine at Jennifer's, Stockholm 1997. Remixed by Fred Caelou and Statemachine. Published by Warner/Chappell & Subspace Communications.

NEGATIVE FEEDBACK [WOW AND FLUTTER]    Time: 6m54s. Tempo: 101 BPM    [Listen] Make me cry why don't you? / Take me high why don't you? / Make me sigh why don't you? / Have a try why don't you? / Feel me now, so near you / Feel me now, I touch you / With these eyes, I strip you / In disguise, I shape you / Negative feedback / Negative feedback / Fantasize why don't you? / Dramatize why don't you? / Hypnotize why don't you? / Harmonize why don't you? / Feel me now, so near you / Feel me here, beside you / In disguise, I shape you / All dressed, up I love you / Negative feedback / Negative feedback / I just have to try harder / Negative negative / Your silence can't conceal the fact / That you're negative negative / Your innocent look is what leads me on to your / Negative feedback / Negative feedback / I just have to try harder / Sent falling again / Rock bottom for me / On the floor for you / On my hands and knees / Sent falling again / Rock bottom for me / On the floor for you / On my hands and knees / Just like a child again / Like a child again / Just like a child again / Like a child again Words & music by Mårten Kellerman. Produced, recorded and mixed by Jennifer and Statemachine at Jennifer's, Stockholm 1997. Remixed by Fred Caelou and Mårten Kellerman. Published by Warner/Chappell & Subspace Communications.

HOLOGRAM [SUMMER IN AMSTERDAM VERSION]    Time: 4m15s. Tempo: 138 BPM Every now and then all there is to say / Equals to a deaf-mute play / And every time I don't understand / I keep thinking we're not meant to be / I wish you were a hologram / Just something I could understand / I turn you into bits and bytes / I wish you were a hologram / Living the way we do makes me want to know / If it's real or just for show / For living on hope alone doesn't do / But I just don't know what else to do / I wish you were a hologram / Just something I could understand / I turn you into bits and bytes / I wish you were a hologram Words & music by Mårten Kellerman. Produced, recorded and mixed by Jennifer and Statemachine at Jennifer's, Stockholm 1995. Additional recording made at Soundfront Studios, Uppsala. Remixed by Fred Caelou and Jörgen Josefsson. Published by Dennis Berggren Musik/Svenska Energy Rekords Publ AB.

PLAY WITH PASSION    Time: 13m27s. Tempo: 150 BPM    [Listen] Strange ideals they feed on me / They grow inside they're part of me / I shape them just like they shape me / I twist them in my fantasies / I toy with you / I play with passion / Women in my fantasies / All tend to love me in three-d / They look so fine they look at me / And no one else is allowed to see / And strange ideals all feed on me / They grow inside they set me free / I love them just like they love me / I see them in my fantasies / I toy with you / I play with passion / You would mock me / Loathe me / Hate me / And you would judge without trial / But would you help me / Would you help me / Women in my fantasies / All tend to love me in three-d / I toy with you / I play with passion / Women in my fantasies / All tend to love me in three-d / Help me / Could always use a little love / Maybe / Some understanding might just / Help me / Could always use a little love / Maybe / Some understanding might just... Words & music by Mårten Kellerman. Produced, recorded and mixed by Fred Caelou and Statemachine at Jennifer's, Stockholm 1998. Published by Warner/Chappell & Subspace Communications.

BURNING IN BLACK    Time: 4m40s. Tempo: 125 BPM She is rubbing her body against the wall / She is turning in black / And in the darkness he can hardly see her face / Comprehensive / Comprehensive / No lips will kiss her lips / Though his lips are against her face / Burning in black / Her skin is burning in black / Her face is burning in black / Her lips are burning in black / Burning in black / Her skin is burning in blac / Her face is burning in black / Her lips are burning in black / She is rubbing her body against the wall / She is playing the toy / She's punishing his skin / He just cries for more / With joy / Comprehensive / Comprehensive / No lips will kiss her lips / Though his lips are against her face / Burning in black / Her skin is burning in black / Her face is burning in black / Her lips are burning in black Words & music by Rikard Lindell. Produced, recorded and mixed by Fred Caelou and Statemachine at Jennifer's, Stockholm 1998.

A CRYING STATUE    Time: 4m37s. Tempo: 108 BPM    [Listen] I tried to treat her to a spotless soul / But found someone had painted it black / She laughed at my face and called me a fool / Then quite casually threw it right back / A thousand punches a thousand rolls / Would prove them bastards right / A million crippled dreams now crushed / And shattered left and right / It’s a less than perfect world / From what I’ve seen / It’s a less than perfect world / This worn down scene / I twist and I turn as I’m tumbling down / Onto the fractured remains of my past / Slamming onto the repulsive mess / That was me when I was less of a mess / A thousand punches a thousand rolls / Would prove them bastards right / A million crippled dreams now crushed / And shattered left and right / It’s a less than perfect world / From what I’ve seen / It’s a less than perfect world / This worn down scene / I was so sure we were different / I was so certain of us / We were so not like the others / You were so having me on Words & music by Mårten Kellerman. Produced, recorded and mixed by Fred Caelou and Statemachine at Jennifer's, Stockholm 1998. Additional keyboards by Fred Caelou. Published by Warner/Chappell & Subspace Communications.

HOLOGRAM    Time: 3m36s. Tempo: 138 BPM Every now and then all there is to say / Equals to a deaf-mute play / And every time I don't understand / I keep thinking we're not meant to be / I wish you were a hologram / Just something I could understand / I turn you into bits and bytes / I wish you were a hologram / Living the way we do makes me want to know / If it's real or just for show / For living on hope alone doesn't do / But I just don't know what else to do / I wish you were a hologram / Just something I could understand / I turn you into bits and bytes / I wish you were a hologram Words & music by Mårten Kellerman. Produced, recorded and mixed by Jennifer and Statemachine at Jennifer's, Stockholm 1995-1996. Additional recording made at Soundfront Studios, Uppsala. Additional production by Thureby (Children Within) and Shooting Star. Published by Dennis Berggren Musik/Svenska Energy Rekords Publ AB.

NEGATIVE FEEDBACK    Time: 4m31s. Tempo: 101 BPM    [Listen] Make me cry why don't you? / Take me high why don't you? / Make me sigh why don't you? / Have a try why don't you? / Feel me now, so near you / Feel me now, I touch you / With these eyes, I strip you / In disguise, I shape you / Negative feedback / Negative feedback / Fantasize why don't you? / Dramatize why don't you? / Hypnotize why don't you? / Harmonize why don't you? / Feel me now, so near you / Feel me here, beside you / In disguise, I shape you / All dressed, up I love you / Negative feedback / Negative feedback / I just have to try harder / Negative negative / Your silence can't conceal the fact / That you're negative negative / Your innocent look is what leads me on to your / Negative feedback / Negative feedback / I just have to try harder / Sent falling again / Rock bottom for me / On the floor for you / On my hands and knees / Sent falling again / Rock bottom for me / On the floor for you / On my hands and knees / Just like a child again / Like a child again / Just like a child again / Like a child again Words & music by Mårten Kellerman. Produced, recorded and mixed by Jennifer and Statemachine at Jennifer's, Stockholm 1997. Published by Warner/Chappell & Subspace Communications.

THERMAL NOISE    Time: 3m34s. Tempo: 132 BPM    [Listen] In the dark I can feel your presence / Just a hint of your face in the data flow / Hear your voice as I run the sequence / Through the amp one thousand watts it goes / Thermal noise / Thermal noise / On my screen there's a diagram of you / And the disk where I saved it holds your name / There are those who believe our love's not true / But I still adore you all the same / Thermal noise / Thermal noise Words & music by Mårten Kellerman. Produced, recorded and mixed by Fred Caelou and Statemachine at Jennifer's, Stockholm 1998. Additional production by Transceiver. Additional keyboards and programming by Jörgen Josefsson. Published by Warner/Chappell & Subspace Communications.

as elusive as ever    Time: 3m52s. Tempo: 96 BPM    [Listen] The cold cold fire burns my skin and slowly eats away / The cold cold flames both lick my wounds and tear my new / She came along with the sun she came with fire / She also let the coldness in by leaving me with open doors / And always always with such tender smile / Always always made me feel so right / Just as elusive as ever / This struggle to capture / The essence of something / Incredibly hopeful / Potentially painful / Emotional piercing / Poetically soothing / Efficiently healing / Can hardly believe it now that the lights are out / Can hardly believe who I was except when I close my eyes / Just as elusive as ever / This struggle to capture / The essence of something / Incredibly hopeful / Potentially painful / Emotional piercing / Poetically soothing / Efficiently healing Words & music by Mårten Kellerman. Produced, recorded and mixed by Jennifer and Statemachine at Jennifer's, Stockholm 1997. Published by Warner/Chappell & Subspace Communications.

Music from the end of the world    Time: 4m08s. Tempo: 120 BPM    [Listen] Sitting on a bed of nails / Waiting for that final moment / Planet earth it looks so faint / Trembling on this day of judgement / Captain says we must leave soon / Adding it's not safe to stay here / Radio plays it's final tune / As we leave it's the last thing we hear / Music from the end of the world / Music from the end of the world / Lying in a bed of nails / Far too staggered to be crying / All our grief is lost somewhere / In the space through which we're flying / Captain says we're on our way / Adding there is no need for fear / In my head that final tune / In my dreams it's all I can hear / Music from the end of the world / Music from the end of the world Words by Mårten Kellerman and Rikard Lindell. Music by Mårten Kellerman and Rikard Lindell. Produced, recorded and mixed by Fred Caelou and Statemachine at Jennifer's, Stockholm 1998. Guitars by Fred Caelou. Published by Warner/Chappell & Subspace Communications.

Happy endings    Time: 4m20s. Tempo: 105 BPM    [Listen] Travel through infinity / Searching for minority / Have to have serenity / Take away obscenity / Got to find that perfect touch / Give me it I don't want much / I just need the liberty / To wallow in my own perversity / Happy endings come / Happy endings... / Thrill me with simplicity / Wrap me in security / Fill me with gentility / Blend me with sincerity / Got to find that perfect touch / Give me it I don't want much / I just need the liberty / To wallow in my own perversity / Happy endings come / Happy endings come / Happy as pie / With rosy cheeks / Number one / For several weeks / Take me high / A movie freak / Sights set high / But still so weak Words by Mårten Kellerman. Music by Rikard Lindell and Mårten Kellerman. Produced, recorded and mixed by Fred Caelou and Statemachine at Jennifer's, Stockholm 1998. Guitars by Fred Caelou. Published by Warner/Chappell & Subspace Communications.